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In Canada, the tune debuted and peaked at number three on the Canadian Hot 100. chained film. On November 7, 2017, Music Canada certified the track double platinum for shipments of 160,000 units. In Latvia, the track debuted at number 32 on Latvijas Radio 5, and rose to number five a week later.
In Mexico, "Chained to the Rhythm" peaked at number 17 on the Mexico Airplay chart. "Chained to the Rhythm" also became Perry's 14th top 10 entry in the United Kingdom, where it debuted at number seven on the UK Singles Chart. The following week, it rose to number five in the nation after her efficiency at the 2017 Brit Awards.
On April 28, 2017, the British Phonographic Market accredited the tune Gold for deliveries of 400,000 units. In Australia, the tune reached number four on the ARIA Charts, and licensed double platinum by the Australian Recording Industry Association for deliveries of 140,000 units - chained film 2020. It also reached number 3 in France and number 8 in New Zealand.
It peaked at number 2 with overall 955,608 plays, became Perry's only 2nd song to reach it. A screenshot from the video that reveals the imaginary filling station. According to BBC editor Mark Savage, the liquid name is "a recommendation to the West's dependence on oil, however likewise to the looming crisis over the world's water supply, which some experts believe could result in a war in Asia".
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On February 21, 2017, she launched the main video on Vevo, with Mathew Cullen as director (chained film streaming). The video was mostly shot at the Six Flags Magic Mountain amusement park in Valencia, Santa Clarita, California, where Perry flights a stylised variation of the Complete Throttle roller coaster. The video is set in a futuristic theme park called "Oblivia." BBC's Mark Savage kept in mind the theme is a metaphor for the boundless distractions of modern society.
In the video, the guests are all taking selfies, consuming sticks of sweet floss in the shape of a nuclear mushroom cloud and crowding around an indication for "the best trip in deep space." Perry is awestruck till she punctures her finger on a rose stem made from barbed wire. chained film streaming.
A few of the destinations contain references to the Brighton Palace Pier in the UK (chained film streaming). The giant concrete dome in the park is allegedly a reference to the San Onofre nuclear power plant located on the Pacific coast. The next scene shows Perry riding a roller coaster. Savage says that the actual roller rollercoaster is called Full Throttle, which has the highest loop in North America.
The next scene is a gasoline station, where guys in sailor costumes whisk Perry off her feet. The scene shows people consuming big beakers of flaming "Inferno H2O," a bright blue, tainted liquid that makes customers belch. Then a hamster wheel attraction appears, with indications directing guests to it. Near completion, as she views a 3D movie, Perry notices a disturbing homogeneity amongst the visitors (chained film).
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Afterward, Perry sings a panicked last chorus, caught in the middle of a mindless dance routine. This causes the last shot of the video, where Perry's concerned face gazes into the cam. At the 2017 MTV Video Music Awards, "Chained to the Rhythm" was nominated for "Best Pop", "Finest Instructions", and "Best Visual Impacts".
Perry initially sang the track live at the 59th Annual Grammy Awards on February 12, 2017, where she finished by standing in front of the United States Constitution together with Avoid Marley and closed with the message "No hate" - chained film streaming. Ralsa Bruner from felt she made "a strong political declaration" with her efficiency.
Perry and Marley performed the track once again at the 2017 Brit Awards on February 22, together with 2 giant puppet skeletons. Composing for, Meena Jang observed that viewers believed the skeletons resembled Donald Trump and Theresa Might, and called the performance "politically charged". Adam Boult of likewise believed the skeletons resembled Trump and Might, though wrote that "The point of the phase dressing may not have actually been entirely clear and Perry avoided stating anything overtly political".
factor Sophie Hirsh surmised it contained "a metaphor for breaking totally free from the hamster wheelesque grind". Lexy Perez of The Hollywood Press reporter observed that Perry "appeared to make another political declaration" with the performance. Perry herself joked later on that it had "a giant orange hamster on the wheel of life".
